Carlo Scarpa in 1954 - Photo: Materialscientist
The 1920's and 30's were a pivotal time in Scarpa's professional life, and would shape his future work. Carlo Scarpa never completed a formal architectural degree. He was disinterested in the rigid conventions of a formal design education and its academic rules. The rejection of standardised design principles especially on how materials could or couldn't be used would characterize his work. His sensitivity to materiality and detailing were that of a master craftsman. In 1927 he began a collaboration with master glass workers on the island of Murano. Further work with Cappellini and Co., and a creative director position at Venini Glass Works where he worked from 1934 to 1947, would ignite his passion and skill with the material, as well as his desire to push it and other materials beyond their typical capabilities and use.
It was at this time he also tried his hand professionally in various capacities at industrial and interior design. Scarpa's devotion to various techniques of construction, would provide him with the palate to manipulate architectural detailing and form.
After the second world war Scarpa began to gain recognition internationally. His work became heavily influenced by the great American modernist architects such as Frank Lloyd Wright, whom Scarpa idolized.
Accademia Musuem, Venice - Photo: Didier Descouens
The first important commission of this period was the renovation of the Accademia Museum in Venice, located in an old convent. This project was the first of Carlo Scarpa's museum renovations. His design was lauded for its sensitivity to the existing building. The treatment of the renovation became synonymous with Scarpa's skill at renovating historic buildings. It permitted the old and the new to exist harmoniously, yet independently.
Carlo Scarpa remained a teacher at the University of Venice throughout the early postwar period, but began to recieve commissions that would become his masterpieces.
The Olivetti Showroom - Photo: Pava